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industrialdesign

A collection of:

Industrial Design   

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davidsundin   

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F.O.clock


Industrial Design Served Featured Projects 28 Jan 2012, 3:30 am CET

The F.O clock is a playful digital clock inspired by Japanese wrapping cloth: Furoshiki, and Japanese paper folding: Origami. Hence, the clock can be folded and unfolded, concealing all the internals utterly, yet able to reveal them as well.

Malika Favre Takes On the Kama Sutra for Penguin


Core77 27 Jan 2012, 11:00 pm CET

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We first picked up on graphic designer Malika Favre's remarkably expressive vector artwork last year and she's pleased to present her latest project, the cover illustration for the forthcoming Penguin Deluxe edition of the Kama Sutra.

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Favre gladly shared some insight into the brief and process:

I was approached last summer by Paul Buckley at Penguin US about designing the cover of a new Deluxe edition of the Kama Sutra for Penguin.

This book is part of the Graphic Classics series: Basically every classic they re-edit is paired up with an artist that pretty much has free range to design the cover. The whole concept of this specific range is to make each classic a collectable item and to push the boundaries of book cover design.

The book itself is the original text written by Vatsyayana (no pictures inside the book) so the challenge was to make the cover sexy, modern and daring without being vulgar or over the top. I decided to create a very bold and playful alphabet that would run across both flaps and front and back cover spelling KAMA SUTRA.

Once folded, the words become hidden and the big letters themselves turn into acrobatic positions.

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As with our previous post on Favre, it gets semi-NSFW after the jump... in extremely good taste, of course.

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MFA Products of Design Summer Program in France!


Core77 27 Jan 2012, 10:00 pm CET

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Applications are now open for the Summer Workshop of the new MFA Products of Design program. Held at the beautiful Domaine de Boisbuchet in Southwestern France, this year's workshop will run for 10 days, inviting participants to immerse themselves in the evolving field of product design.

The Products of Design Summer Program in France offers hands-on, collaborative experience and instruction in rapid sketching, materials investigation, prototyping, iteration, narrative creation and environmental stewardship. In addition to work completed during the days, participants will enjoy opportunities to sight see, socialize with designers from around the world, and attend lectures in the evenings.

The program invites applicants from various backgrounds: design professionals, students (in at least senior standing at an art & design college), or graduate students in any field. Faculty will be MFA Products of Design chair Allan Chochinov and faculty Emilie Baltz.

All info is at the site: http://productsofdesign.sva.edu/curriculum/summer/

Products of Design Summer Program in France June 17-27, 2012 Domaine de Boisbuchet, Southwestern France Tuition: $2,500 (includes room & board) Applications due: February 10, 2012

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Chinese Manufacturing, Part 2: Getting It Right


Core77 27 Jan 2012, 9:00 pm CET

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While the last entry saw me complaining about an example of shoddy Chinese manufacturing, now we'll look at an example of Chinese manufacturing might. In this six-minute video currently making the blog rounds, we see an astonishing feat of design, engineering and execution: The 30-story T30 Hotel constructed in Hunan Province, taking just 15 days to erect.

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Phalanx LED table lamp


Industrial Design Served Featured Projects 27 Jan 2012, 8:30 pm CET

contemporary multi-directional LED table lamp which consists of five segments, moving them you can change the shape of lamp.

Ikea's Latest, Part 2: Two Striking Pendant Lamps, and Their Design Origins


Core77 27 Jan 2012, 8:00 pm CET

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Ikea has just introduced two LED pendant lamps, both so new that at press time they were not yet posted to Ikea's website. We were excited to get an early look at their VASTER (first shot above), made from steel and acrylic, and their KLOR (second shot above), made from nickel-plated steel and polycarbonate, as well as hear the design stories behind them. (Note that both stories have apparently been translated from Swedish--or it's Ikea policy to drop the article and refer to objects as if they're people.)

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VASTER, interestingly enough, started with a design failure:

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Ikea's Latest, Part 1: High-Gloss Kitchen Goes 180 From Last Year's Country-Style


Core77 27 Jan 2012, 7:00 pm CET

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At last year's Interior Design Show in Toronto, Ikea pulled the sheets off of their bold country kitchen look, an aesthetic departure from the blonde-wood kitchens with which their showrooms had become associated. The kitchen won the show's Gold Booth Award and our entry on it quickly caught Facebook fire.

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At this year's IDS, the design pendulum has swung the other way: Ikea's display kitchen features a distinctly sleek and modern look, one reportedly inspired by "the classic fashion combination of a black dress and pearls." In sharp contrast to last year's kitchen, where pots, pans, and kitchen storage objects were all made visible, this year's kitchen design renders most objects invisible, tucking them away behind glossy surfaces. In a second nod to the fashion world the backsplash tiles are meant to evoke patent leather quilted handbags and the island has received special focus.

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Gaining New Clients: Role playing with Raymond Loewy and Walter D. Teague


Industrial Design Sandbox 27 Jan 2012, 6:57 pm CET

TheSuccessful Design Business Practices of Walter Dorwin Teague
Part 2 of 5
Walter Dorwin Teague in his office-photo WDTA archives
Gaining New Clients: Role Playing with Raymond Loewy and Walter D. Teague
How did the earlyindustrial designers sell themselves to new clients?  Raymond Loewy and Walter D. Teague answeredthis question during a conference in 1946 entitled “Industrial Design: A NewProfession” held at the Museum of Modern Art, New York.  They demonstrated this by having a mock discussionbetween designer and client, with Teague acting as the potential client. Whatis interesting about this discussion is that much of the conversation soundsthe same as our discussions with clients today with some notable exceptions.  Here is an excerpt:
Raymond Loewy: …Mr. Teague, let us try to discuss it together.  Would you like to take the part of theclient?
Walter Dorwin Teague: All right, fine. Well, Mr. Loewy, I know that you are a designer of verysubstantial and eminent reputation, with a great many successes to your credit,but you have never served a business exactly like mine. I am perhaps thelargest widget manufacturer in America.
Raymond Loewy: What type of product did you say?
WDT: Widgets.
RL: Oh Yes.
WDT: “You probably don’t realize it, but the business ofmaking widgets is very different from any other business.   I know that you have designed trains andautomobiles and household appliances and business machines, and many otherproducts, but widgets quite in a class by themselves.  I am just wondering what gives you anyassurance that you could do for us what my own staff of engineers has not beenable to do.”
RL: “…We have studied the record of your company for thepast few years.  We know that you aredoing very well; we know the reputation of your firm; we know that the productsyou are manufacturing are excellent, priced correctly and for the most partstyled right.  However, we feel that theinfluence of an outsider with an open mind, with no inhibitions about yourproduct – working in cooperation with your own staff – could bring some freshand unusual answers to your problems.
“We can’t promise to do so; but we feel reasonablyconfident that if we have the cooperation of you design department, of yourengineering department, and if we have an opportunity to study themanufacturing facilities you have, the kind of equipment you use, we can do ajob for you.
“We would like to study the widget market, however,before we go ahead and make any proposition to you.  We would like to know what is being done inthe field by competitors, and in what price range, and which are the widgetsthat sell best, and we would try to isolate the reason why they sell best;whether it is price, appearance, function, quality, or a combination of thesefactors.  Then we can talk to youintelligently about doing design work for you organization.”
WDT: “Well, of course, Mr. Loewy, that goes much furtherthan I had in mind.  I had assumed thatyou would simply make me some sketches of what you thought my product ought tolook like.  After all, that is all we hadin mind in connection with your-
RL: “Well, I regret to say that we don’t work thatway.  The leading designers, those whohave established reputations and have reputations to maintain—such as Mr.Teague, a namesake of yours, of Mr. Dreyfuss or Mr. Arens—don’t work thatway.  They don’t like to start doing anyfancy designing or blue-sky designing with knowing all the factors of theproblem involved.  We couldn’t do that,then. We wouldn’t be interested, and I don’t think you would.
WDT: Well, do you think that you could come into abusiness like ours and in a short time acquire enough information about it tobe able to make wise decisions in the various fields in which, as you haveoutlined it, you would like to operate?
Raymond Loewy
RL: Yes. That is the reason we are here to discuss itwith you.  We have done work in fieldsvery close to widgets. The products may not be exactly widgets; but they are inthe same price range, they sell through the same kind of retail outlet, and theservicing problem of these units is quite similar to yours.  We feel confident we can do a job. I wouldlike to have a look at your facilities, at your plant, and see what kind ofequipment you have.  We would also liketo talk to your sales manager, if that can be arranged, in order to have someidea about your retail outlets.
WDT: Then we would more or less have to take you into thefamily and into our confidence in a matter of our business methods andprocedures and so on?
RL: Yes—completely. That is the only way we could possibly work.  You may not have heard about the reputationof our firm as far as ethics is concerned. You may be sure that any new development that happens when we work withyou, or any new idea you may have, will be kept completely confidential.
WDT: “the question of personalities immediately intrudesitself.  Do you feel that you could getalong with our technical staff?  Afterall, our engineers are very experienced in their work, and they are a littlesensitive about people intruding from the outside.  I just wonder whether we wouldn’t have aconflict on our hands when your people come into our organization. … Whatguarantee we would have of success? After all, this is going to be a veryexpensive thing for us.  What assurancedo we have that we will get the right returns?”…( (Minutes of 1946 MOMA Conf.)
It is evident fromthis conversation that Teague and Loewy agreed on their business strategy as consultingindustrial designers and communicate many of the concerns that they haveexperienced when approaching new clients.  Teague shows an understanding and an empathy for his potential clientsfears.  Here are some of the fears thathe mentions:
·        That the designer is not experienced with theirparticular product market. 
·        Fear of loss of security of intellectual propertyand confidentiality. 
·        Compatibility with in-house staff.  Staff will feel intruded by consultant andnot cooperate.
·        Fear of long term commitment in a relationship witha design firm.
·        Fear of not getting return on their investment.
Teague and Loewyknew how to respond these fears with assurance, however they stood firm whenpushed to the edges of their professional ethics.  One thing that stands out in this conversationis that Loewy and Teague refused to take on any short term projects.  They would not “simply make some sketches” ordo “blue-sky designing.”  They required acontract of at least one year long, in order to do their best at understandingtheir client, its market and their customers.
“After all, we are subject to the wishes of ourclients.  This discussion has to do withthe client-designer relationship.  Mostof us may have the status of call girls, but we are not streetwalkers: we waitfor the clients to come to us.” – Walter D. Teague (Minutes of 1946 MOMA Conf.)
Coming up next in part 3: How did Teague manage his office and treat his staff?  What was it like to work at WDTA during itsheyday?
 Follow the progress of the Teague documentary on Facebook and this blog.
Works Cited
Minutes ofthe Conference on Industrial Design, A New Profession. Proc. of Conference on Industrial Design, A New Profession,Museum of Modern Art, New York, NY. 1946. MOMA archive 45.1 S624 1946
Photo of Teague at his office from the WDTAarchives.

Flotspotting: Auto Designs & More, From Someone Barely Old Enough to Drive


Core77 27 Jan 2012, 6:00 pm CET

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Terschelling, Netherlands-based Bart de Graaff has got good hands and an imagination to match, as evidenced by the copious renderings in his book. With expressive work spanning graphics, transportation, and conceptual design of the sort you'd find in a sci-fi movie, de Graaff could be mistaken for a grizzled vet of the design field. Which makes his personal statement all the more surprising:

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Side Effect of Technological Advancement: Children Not Recognizing Fairly Recent Artifacts


Core77 27 Jan 2012, 5:00 pm CET

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I read an article about a summer camp where one of the activities was showing the kids a bunch of old pieces of technology, and having them play around with them. The astonished author reported that most of the kids could not figure out how to dial a number on a rotary phone; they'd place their finger in the hole for "0" and drag the dial to the number they wanted to "activate," then release the dial.

This video here is similarly funny: Writer and blogger John Scalzi shows his 13-year-old daughter a vinyl LP, something she has never seen (or apparently heard of) before:

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Design in the Wild: EAT Category Winners and PLAY Open for Submissions


Core77 27 Jan 2012, 3:00 pm CET

We are so hungry after perusing the Design in the Wild entries from the EAT category! Incredible readers from around the world submitted beautifully designed everyday objects that help them prep, cook, eat and drink. Whether it was your kitchen's 1985 General Electric Stove or a seat at your favorite cafe, we were delighted to be a guest at your dining table in this round's EAT submissions. Today we're opening up submissions for our second theme, PLAY, and announcing the jury and popular pick theme winners—theme winners receive their choice of Braun products and are qualified to move forward into the final round of voting for the grand prize of a notebook computer and tablet!

Without further ado...

JURY WINNER Cutlery Felix Stark, Germany

braun_cutlery.jpegCutlery of the armed forces of Germany. The fork functions like a spring to fix everything in the carrying case which is also a can opener. I am not a fan of collecting military items, but the cutlery works really great. I always showing it to my students as example of great functional design.

POPULAR WINNER Citrus Squeezer Taylor Welden, United States

braun_juicer.jpegWe didn't have these when I grew up in the Northeast. When I moved to the South, Texas specifically, there is much more citrus (limes are 12/$1) and the need to extract the juice from citrus increases dramatically. Margaritas are an every day type of drink here, not something fancy for Saturdays. Lime and lemon juice are used in all types of cuisine, especially as an element Mexican dishes. That being said, when I moved here, I knew exactly what this item did the first time I saw it. I purchased mine for $3 or $4 almost 10 years ago, it still looks and performs as new. Heavy duty aluminum parts, nice colorful thick coating, no plastic parts anywhere, no branding anywhere. A simple tool, easily overlooked. It squeezes every last drop out of the citrus, quickly, easily, efficiently. No mess and no acid in the eyes either. Squeeze, juice pours out, open it up, the citrus half pops out to be easily discarded. Perfect. Genius.

NOTABLES We love the product photography and compositions of these submissions!

braun_spaghetti.jpegSPAGHETTI MEASURE - Teodora Altomare, Italy

braun_toaster.jpegA TOAST TO ILLUMINATION - Igor Tolkach, United States

braun_honey.jpegHONEY DIPPER - Elina Salmi, Finland

And here's to WILD thinking outside the box!

braun_blackberry.jpegI LOVE MY BLACKBERRY - Gwendolyn Thompson, United States

braun_leafbowl.jpegLEAF BOWL - Michael Tatang, Netherlands

braun_streetfood.jpegSTREET (FOOD) ART - Aart van Bezooyen, Germany

Don't miss out on your chance to win a notebook computer, tablet and/or your choice of Braun products! Enter our next round of Design in the Wild competition, PLAY, today!

We can turn nearly anything into a game, but design can significantly improve the experience. Is table tennis better inside on a wooden table, or outdoors on a concrete one? Which apps are you drawn to over and over, and what board games have passed the test of time? What are the brilliant tools you use to paint, to crochet, to solder, or to hack with?

Design in the Wild is presented with the support of BraunPrize 2012. Established in 1968, the international BraunPrize competition is a triennial design competition aimed at promoting the work of young designers, highlighting the importance of industrial design and increasing the profile of innovative product ideas globally. This year's theme, "Genius design for a better everyday," emphasizes the importance of well-designed products that enhance the everyday lives of consumers around the world. Visit the BraunPrize 2012.

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Paper Cut


Yanko Design 27 Jan 2012, 2:05 pm CET

Möwe – Dream Paper Concept looks at the possibility of having intelligent paper that prints, auto cuts and folds 3-D paper projects. A lot of folks indulge in 3-D scale models and it is an interesting hobby. Mac takes the idea a step further by suggesting that what if we could control “where and how far to fold and also when to fold via Bluetooth or WiFi, it means you could move paper as you like without touching it. (It’s like embedding Javascript in paper!)” Building models from Google 3D Warehouse would be child’s play even for the non-devout! Awesome!

Designer: Mac Funamizu

---------- Yanko Design Timeless Designs - Explore wonderful concepts from around the world! Yanko Design Store - We are about more than just concepts. See what's hot at the YD Store! (Paper Cut was originally posted on Yanko Design)

Balloon Lamp by Estiluz


beautifullife.info » Industrial Design 27 Jan 2012, 2:00 pm CET

baloon lamp
Spanish decorative lighting manufacturers Estiluz offers creative Balloon Lamp that will perfectly suits child room and bring positive emotions to adults as well. This ingenious lamp hide ugly energy saving fluorescent bulbs thank to a shade made of satinized polyethylene. For the wall version, the fine red cable that hangs from the shade also serves [...]

TWO Weeks Left to Enter the IDSA IDEA 2012 Awards


Core77 27 Jan 2012, 2:00 pm CET

Only two weeks left in the regular entry period for the 2012 IDSA IDEA Awards. Since 1980, the IDSA has been honoring design excellence through their international awards program. This year, the program includes categories that encompass products, ecodesign, interaction design, packaging, strategy, research and concepts. Get your work in front of leaders within the field of design including Core77 friends Tad Toulis, Lance Hussey, Mike Kruzeniski, Jan Chipchase and more. For our Brazilian readers, register for the IDEA/Brasil Awards here!

IDEA2012 Call for Entries

Check out some of our favs from 2011—bronze, silver and gold—for inspiration or head over to the IDEA2012 website for more details and to enter! The deadline for regular submissions is February 10th, 2012 (with late registration continuing till February 17th, 2012.)

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More Than Signals


Yanko Design 27 Jan 2012, 1:43 pm CET

The Sólo is a modular traffic signal that can be easily disassembled and used for other purposes. A good example is the event of a road mishap, and how the lights can be intelligently used to create a detour for oncoming traffic. Even for road repairs; if the street is closed, may as well use the lights for marking out the hazard space! Clever use of LED lights ensure eco-sense and the modular format give the lights the versatility to be used in numerous circumstances.

MODULE: H: 300mm; W: 290mm; L: 168mm | weight: MODULE: 2.3 kg

Designers: Matheus de Luca, Moreira Pinto & Porto Alegre

---------- Yanko Design Timeless Designs - Explore wonderful concepts from around the world! Yanko Design Store - We are about more than just concepts. See what's hot at the YD Store! (More Than Signals was originally posted on Yanko Design)

Spotify is seeking a UI Designer in New York, New York


Core77 27 Jan 2012, 1:00 pm CET

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UI Designer Spotify New York, New York

Spotify is looking for exceptional designers to make the Spotify of tomorrow beautiful, usable and inventive. Working from our brand new New York office, the UI Designer will be part of a small and rapidly growing team. His or her responsibilities will range from ideation and mocking up new UI features to creating well balanced layouts and stunning new icons.

» view

The best design jobs and portfolios hang out at Coroflot.

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Designers Accord Town Hall London Recap


Core77 27 Jan 2012, 11:00 am CET

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The second UK Designers Accord Town Hall was held on January 19 at The Design Council offices in London. The event was organised and facilitated by Engage by Design, with sponsorship from The Design Council Challenges Team. People from different industries and ages came together to explore the theme of Social Innovation and what we can do to insure its success. Following an introduction from Zoe Olivia John of Engage by Design and Marianne Guldbrandsen, Head of Design Strategies for the Design Council Challenges Team, six speakers delivered fantastic and thought-provoking presentations:

1: Tools & Skills - The Kaleidoscope Project - Engage by Design Engage by Design kicked off the presentations with the short film 'Tools & Skills' from 'The Kaleidoscope Project,' which focuses on using four key values (Balance, Culture, Meaning, and Innovation) to frame the question: "What tools and skills do we need to build a better future?" This was a fantastic way to stimulate the attendees and get the creative juices flowing. Watch all the videos in the series on the Engage by Design website.

Tools & Skills, The Kaleidoscope Project from Engage by Design on Vimeo.

2. Fiona Bennie - Forum for the Future "How can we enable people to share in a low carbon economy?" "How can designers make sharing cars appealing?" "How can low income families save energy?" "How can looking into the future help designers?" The prices of everything from food to cotton are rising. As humans and consumers, we need to truly evaluate how we will spend our money. Forum for the Future believes it is all about changing demographics—carbon reduction targets of 50% by 2025 will force people to realize there must be a big change in what we eat, how we travel, and many other things that can easily pass without thought.

Check out this great link from the presentation: Wikihouse bringing affordable housing to the masses in an accessible way.

3. Mike Smart - Challenges Team, The Design Council"It's all about being smart with what you can get your hands on, creating 'low-fi' solutions to social problems." The Challenge Team's Mike Smart showed us how this is already being done in concrete and non-traditional ways:

  • Jamie Oliver is not only a celebrity chef, but also someone who picks issues and creates campaigns to make change in an accessible way. He makes things visual and tangible, importantly starting on a small scale.
  • Untergunther is another example - they are a group "with a mission", breaking into abandoned public monuments in order to restore them.

Check out how the Challenges Team is continuing this work with their current projects: The Amazings and Casserole.

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TRAIL$: A Modern Parable, by Dot Samsen


Core77 27 Jan 2012, 10:00 am CET

Architect-turned-interaction-designer Nitipak "Dot" Samsen first caught our attention a couple years ago, when he'd just completed his MA in Design Interactions at the Royal College of Art. For the 2009 thesis show, he exhibited series of coin flippers, a diverting exercise in iteration and probability if nothing else.

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For his latest project, he's shifted his attention from the element of chance to a sort of economic determinism, exploring the hypothetical evolution of currency in the near future.

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The short film TRAIL$, produced as part of Samsen's award-winning project "The Money Trailer," is an all-too-timely tale of capitalism in the digital age:

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Independent Wheelchair Assistant


Yanko Design 27 Jan 2012, 9:02 am CET

Inspired by his grandfather who has been in a wheelchair since the age of 20, designer Oscar Fernandez created the electric Independent Wheelchair Assistant to help users independently access their local communities in a safe and easy way. The design utilizes the user’s own wheelchair, acting as a true assistant and eliminating the need to constantly transfer between other devices like scooters or power chairs. Hit the jump to check out its unique functionality.

The user attaches to the device from the rear via a small bracket that must be attached to the wheelchair. The bracket slides into the back of the IWA, lifting the two front castor wheels of the wheelchair off the ground. The bracket locks into place, securing the chair and transferring the weight evenly across the four large wheels of both the IWA and the users’ wheelchair. Equally simple controls allow the connection to be made or released with the press of a single button. There’s even a headlight for night riding!

Designer: Oscar Fernandez

---------- Yanko Design Timeless Designs - Explore wonderful concepts from around the world! Yanko Design Store - We are about more than just concepts. See what's hot at the YD Store! (Independent Wheelchair Assistant was originally posted on Yanko Design)

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